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Does that put us into the category of leather night, rubbermen, underwear parties? Quan deals more directly with the exclusionary effect of language: In his fluid writing style, Quan seems to initially encourage this only to pull the rug from beneath us, making us pause and examine the ways in which our own histories determine how we see others. Leave a Reply Cancel reply Your email address will not be published. February 7, Read More. Gary is working out, through March his chest adds pecs, his arms thicken, his legs fill out the black Levis. There are 16 stories in this debut collection from well-traveled Canadian writer Andy Quan, and therefore more than a dozen good reasons to appreciate its charms, its snarls, its several voices and its singular center, its moments of coming-out poignancy and racial -politics perception and immigrant-outsider displacement and sexual-play eroticism… Not one flat tone, this book, but a symphony of cultures, gay and Asian, and of communities, Canadian and global, and of emotions, longing and lusty.

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This is fiction the way fiction ought to be written.

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In Australia, copies are on sale at my favourite bookstores: As this comment has been echoed in other reviews sameness of characters, all the characters being gay and Asianit seems that some reviewers either 1. John Burns Writing about love is hard, every word a contest between imagination and regurgitation. Are there minorities within minorities? How dare I do that? At the time, I found the review a bit irksome — a phallic cactus is misleading?

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To top it off, while breezing gay magazines at a bookshop, I find out that the reviewer is the editor of a Toronto gay-zine. This proved intensely affective though in his study of the dangers of love, following a character who only barely avoided an abusive relationship. As a former columnist for this fine publication, it is a special treat to be able to report back on some of what my office has accomplished in our first few months under the dome and our plans…. In his fluid writing style, Quan seems to initially encourage this only to pull the rug from beneath us, making us pause and examine the ways in which our own histories determine how we see others. Like Quan himself, the main characters are Asian and gay. Check out the original review on the web moved to my website, which has an author photo of me with blond hair and rather nice layout. He talks about the lightness of being exposed, showing his true self.

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